Abstract:
In our paper we deal with the issue of media celebrity in a South African context,
focusing on the role reality television has played in regard to emergent forms of new South African celebrity, and determining the social and cultural meaning of these emergent forms in an African socio-political and cultural context. The paper
discusses the way in which such celebrities and local audiences’ fascination with
them are constructed. We further analyze indigenous and “imported” reality television
forms and formats in our investigation in order to explore the phenomenon from the
perspective of such antithetical binaries as stardom and celebrity, private identity
and public personality, dramatic art/and dramatized reality, and entertainment/
exploitation.
We raise issues that are central to understanding the way in which the media
functions in postmodern South Africa, assessing the way in which reality TV and
reality TV celebrities reflect either an “empowering” freeing up of cultural spaces, or, alternatively, a closing down of such cultural spaces as an expression of late capitalist/postmodern “comodification” and of increasingly invasive forms of
technological surveillance – famously expressed by Michel Foucault with his notion
of the “panopticon.” This critique, expressed in its strongest form, views reality television as destroying essential ontological distinctions between reality and media image in constructing a virtual realm of the celebrity “real” (here Baudrillard’s notions of the “spectacle” and the “simulacrum” are most apposite). In regard to what is, for post-apartheid South Africa, the crucial issue of identity, we consider the degree to which reality television exploits postmodern anxieties such as the fear of loss of value, status and identity as part of wider transnational and globalizing processes of social, cultural and psychological dislocation.
